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© Vincent Oliver 2005




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Gaoersi 6x17 Camera
review by Murray Foote
Page 7

Choice of Scanner and Scanning Resolution

I am scanning the slides using a Canon 9950F scanner with Silverfast AI Studio software. Another option would be to use the Epson 4990 or 4870 together with Doug Fisher’s filmholder. I believe that the Canon is capable of producing better quality scans. It may be slightly sharper but that it not so important – the main thing is that it has a better DMax (density range) than the Epsons as reported in tests by a German magazine (3.8 as compared to 3.3). However, to produce good results with the 9950F it is essential to use Vuescan software or (my preference) Silverfast AI Studio. For more information on these scanners see Vincent’s Scanner Reviews on the 4870, the 4990, the 9950 and the Software Review on the 9950 when used with Silverfast.

The scanner has a nominal resolution of 4800dpi. When you scan you should use an even fraction of the nominal resolution (½, 1/3, ¼ etc) but so that the resulting resolution comes out as a whole number (e.g. ¼ of 4800 is 1200, a whole number). This way you are avoiding interpolation by the scanner and if you need to resize your scan it is better to do it later in Photoshop.

Normally I would scan slides at a resolution to produce the largest size I am likely to print, then later downsize the finished image in Photoshop when I need it for other purposes. This gives the following choices for scanning resolution:

  • 1600dpi (output resolution) would give an output size of 10x28” (25x71mm) for printing at 360dpi (print resolution) and produce a file size of 200MB
  • 2400dpi gives an output size of 15x42” (37x106cm) and a file size of 450MB. However, the file size is then getting a bit large for my PC so I would probably scale it back in Photoshop to 2,000 dpi which corresponds to printing on A3+ roll for an initial file size of only 320MB.

Normal slide film has a resolution of about 4,000 dpi but the new Velvia 100 probably has a resolution of 8,000 dpi or even more. To scan at this resolution you would need an Imacon or a drum scanner which would produce a file of about 5GB that you might be able to print to around 8x23’ (2x6 metres) at 180dpi.

However, for the purposes of this exercise, Vincent has told me that the maximum size for images to display on this page is 550 pixels (at 72dpi). This means that I only need to scan at 96dpi – but it’s easier if I scan a bit larger than that so I can see what I am doing in Photoshop more easily – so I’ll mostly scan at just 160dpi (as shown in the picture) and then downsize.


Scanning

To start scanning we turn on the scanner and the computer, open Photoshop and launch Silverfast.

Perhaps the first thing to do is to is to set up a 6x17 frame set. Silverfast doesn’t have automatic thumbnail recognition but you can drag out the location of two 6x17 frames on the main Preview screen, set your default scanning preferences and then save the frame set to use each time you scan.

When you save a new frame-set using the Save option on the Frame-Set dropdown on the General tab, the set you save adds to the menu (as shown in the picture). Saving a Frame-Set is also a good way to make sure that each time you scan you start off with a clean set of parameters.

The buttons towards the top of the frame provide Silverfast’s core functionality. From left to right you can:

  • zoom to expand the Preview Window to full screen;
  • auto-correct (you can specify the parameters this uses from the Options button at bottom right of the picture)
  • adjust histogram (overall or by channel; there is also a colour -caste removal slider)
  • adjust curves (overall or by channel; there are also sliders for midtones, highlights and shadows)
  • globally correct colour with a simple yet powerful interface
  • selectively correct specific colours.

(The last two buttons on the right are not covered here)

I generally zoom then auto-correct. This generally results in a small amount of clipping that I will correct using the Histogram. Sometimes I will make the histogram correction immediately or other times when I am adjusting colours I will do it just before the scan. It is important to retain your full shadow and highlight detail in the scanned file in Photoshop.

This is the Silverfast Preview window. You can zoom into the images from here and there are also a number of buttons down the left side that offer useful functions.

The Multiscan function helps eliminate noise by averaging several scans. Here it is set to 1 which is OK to scan only for Web. Usually I scan to print and operate it at 4 (as per Vincent’s finding)

The AACO button brightens up shadows without affecting highlights and midtones. I tried this in some of the example images that follow but found other methods more effective.

Job Manager allows you to send a batch of images to the scanner, including several versions of the same image.

The next picture is of the Job Manager dialogue box

.

There are various scans displayed in its main window (white background), some of different images, some with different settings, some different parts of images.

The six small buttons below the main window allow you to import one or more images into Job Manager, delete images from Job Manager, edit parameters, copy parameters to other images in Job Manager and select all images in Job Manager. You can scan all at once or one at a time. It is important to make sure you save the job before you scan (Job menu at top left) in case you need to scan again.

There’s also one intermittent but nasty trap I’ve encountered in Silverfast. When you zoom into an image (whether from Job Manager or normally) you should click on the image before you do anything to it. Sometimes this changes the apparent exposure of the image and if you don’t do it you may end up with an overexposed scan.


26 September, 2005

© Vincent Oliver 2008 www.photo-i.co.uk
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